the hunt
Driven by curiosity and built on purpose, this is where bold thinking meets thoughtful execution. Let’s create something meaningful together.
what makes the cut
Material comes first. Solid wood. Real brass. Weight where it matters. Proportion matters. Good lines hold up from every angle. Wear matters. Honest age beats anything “refinished.”
If it feels off, it stays behind.
what good looks like
A chair with worn arms from years of use. Brass that softened over time, not polished to death. Wood with depth, not a flat factory finish. Pieces that feel better the longer you live with them.
what we skip
Over-restored pieces with no life left.
Fake patina. You can tell. Mass produced “vintage” with no weight, no presence.
how to shop
The best pieces do not sit. If you see something you want, take it. If you miss it, something better will show up.
A vertically oriented wall mirror with a fully wrapped pinecone frame, built from densely applied natural elements over a wood substrate. The surface is defined by a tight, repetitive texture, creating a rhythmic, almost sculptural border around the glass.
The frame reads as both organic and architectural, with the pinecones forming a continuous, layered field that catches light and shadow from different angles. The effect is highly tactile, with a strong material presence that sets it apart from more conventional carved or molded frames.
The mirror retains its original glass, showing visible foxing and surface wear consistent with age. This adds depth and softness to the reflection and reinforces the overall character of the piece.
Often associated with Black Forest decorative work, with a construction that also aligns with tramp art–style assemblage, though executed here with natural materials rather than carved wood.
A distinctive wall object with strong vertical presence.
14" Height
27" Width
1.5" Depth
